Have I mentioned I’m addicted to story boards right now?
wheremygreengrassgrows:

This is what walking at 8 3/4 months looks like. 
This little girl has one proud Momma.

Have I mentioned I’m addicted to story boards right now?

wheremygreengrassgrows:

This is what walking at 8 3/4 months looks like.

This little girl has one proud Momma.

Wow, thanks Melissa! I’m blushing and doing a happy dance of my own! I’ve always loved the whimsy and depth to your pictures; you and Brent capture your family beautifully. 
I’m beyond overwhelmed by the support on this here site and happy everyone is into it. I only started it like, less than a month ago after taking no less than 42 of the SAME picture of Isla and realizing that even as a photographer, I wasn’t approaching the end goal — killer baby books that will help me hold onto this special time in her life — properly. 
I know that being a mama is busy enough, and learning to own your camera and its results like it’s going out of style can seem an uphill battle and a time thief all at once. But it doesn’t have to be. While I’m playing with Isla, I’m also playing with the camera, fiddling with settings and experimenting. Through this trial and error, I guarantee you’ll find a style and default that makes you swoon. And the subject matter makes it all worthwhile!
To everyone new to this here club, welcome! I promise I’ll get organized *very soon* and have it easier to navigate relating to general photo projects, skill/interest and equipment. This really is a place for everything from camera phone pics to point and shoots to DSLRs to Picnik to Photoshop. I hope to touch on something for everyone, and appreciate feedback and questions always! 
Thank you, everyone! Hope you enjoy!
dearbaby:

It’s time to share a blog that has me doing a happy dance today -  Mamarazzi & Co.
Got a baby? Got a camera? Don’t have a friggin clue what you’re doing?
(RAISES HAND- oh oh me! me!)
Well, go here and learn stuff about taking fabulous pictures of your little darling.
Tamara (who runs this awesome bloggity blog) reblogged a photo of Everly today and I was all… What The… HOW HAS THIS BLOG BEEN HANGING OUT ON TUMBLR AND I DIDN’T KNOW ABOUT IT?
(and why am I screaming at you guys so much today? eesh)
Anyway,  thanks to Mamarazzi & Co. I just learned about some fancy buttons on my camera and how to use them to my advantage and if you’re too busy for photography classes like I am - I suggest you start following Mrs. Tamara all quick-like.
Love,
M

Wow, thanks Melissa! I’m blushing and doing a happy dance of my own! I’ve always loved the whimsy and depth to your pictures; you and Brent capture your family beautifully. 

I’m beyond overwhelmed by the support on this here site and happy everyone is into it. I only started it like, less than a month ago after taking no less than 42 of the SAME picture of Isla and realizing that even as a photographer, I wasn’t approaching the end goal — killer baby books that will help me hold onto this special time in her life — properly. 

I know that being a mama is busy enough, and learning to own your camera and its results like it’s going out of style can seem an uphill battle and a time thief all at once. But it doesn’t have to be. While I’m playing with Isla, I’m also playing with the camera, fiddling with settings and experimenting. Through this trial and error, I guarantee you’ll find a style and default that makes you swoon. And the subject matter makes it all worthwhile!

To everyone new to this here club, welcome! I promise I’ll get organized *very soon* and have it easier to navigate relating to general photo projects, skill/interest and equipment. This really is a place for everything from camera phone pics to point and shoots to DSLRs to Picnik to Photoshop. I hope to touch on something for everyone, and appreciate feedback and questions always! 

Thank you, everyone! Hope you enjoy!

dearbaby:

It’s time to share a blog that has me doing a happy dance today -  Mamarazzi & Co.

Got a baby? Got a camera? Don’t have a friggin clue what you’re doing?

(RAISES HAND- oh oh me! me!)

Well, go here and learn stuff about taking fabulous pictures of your little darling.

Tamara (who runs this awesome bloggity blog) reblogged a photo of Everly today and I was all… What The… HOW HAS THIS BLOG BEEN HANGING OUT ON TUMBLR AND I DIDN’T KNOW ABOUT IT?

(and why am I screaming at you guys so much today? eesh)

Anyway,  thanks to Mamarazzi & Co. I just learned about some fancy buttons on my camera and how to use them to my advantage and if you’re too busy for photography classes like I am - I suggest you start following Mrs. Tamara all quick-like.

Love,

M

Love it! It’s pictures like these that make the memory books come to life years down the road.
paperinthewind:

The faces kill me.

Love it! It’s pictures like these that make the memory books come to life years down the road.

paperinthewind:

The faces kill me.

This is gorgeous! Great job! 
sealedinamber:

I was inspired by Mamarazzi & Co to try out my aperture mode. :) I had big plans when I bought my camera and then got lazy (and intimidated) and hardly ever strayed out of auto…It’s not as scary as I thought.

This is gorgeous! Great job! 

sealedinamber:

I was inspired by Mamarazzi & Co to try out my aperture mode. :) I had big plans when I bought my camera and then got lazy (and intimidated) and hardly ever strayed out of auto…It’s not as scary as I thought.

This is totally unrelated to Melissa’s post, but I just had to say I love this photo. The catch light in Everly’s eyes is lovely and I’m a sucker for the aerial shot when it comes to babies. They look so proportionately small and ‘as they are’…
dearbaby

This is totally unrelated to Melissa’s post, but I just had to say I love this photo. The catch light in Everly’s eyes is lovely and I’m a sucker for the aerial shot when it comes to babies. They look so proportionately small and ‘as they are’…

dearbaby

Starting some storyboards

I’ve been really bossy lately with all the technical talk. Taking a break from buttons and dials, let’s do something visual.

I’m a late bloomer, but I’m starting to play around with story boards. I can never pick just one photo when it comes time to print and frame, and I love how symmetrical storyboards can be. If you’re familiar with a photo editing software that allows you to work with layers, boards can be built that way and printed at whatever final size you like. Or you can get crafty with scissors and a matte board and go custom. My favourite is saving photos in groups for future photo books to detail milestones or events succinctly.

Options abound. You can have as many images in a board as you like, but I tend to run in multiples of three or four. Don’t know why, just seems to happen over here at Chez Isla. 

Here’s a set I did earlier this month when Isla first really discovered Baby Mum Mums…

And here’s one I did tonight after Isla took so much interest in our dinner (homemade veggie lasagna, can’t blame her) and pulled herself up on the coffee table for the first time. 

As you can see in the first frame, it was like something out of Jaws. Eep! You can see the full story of baby goodness here

There was a lot of cropping going on with these sets. The one from today alone had me cropping 90% of the photo out so that she would fill the square frame. It’s all personal preference, but I… well, I prefer the subject not just be front and center, but INYOFACE. 

Here’s one of the pics straight out of the camera (SOOC):

1/320 at f/2.8, ISO 800

As you can see, I cropped tight for the board and eliminated much of the visual clutter to bring the focus onto Isla and her creeping on our dinner. Cropping does wonders for pictures, even if it’s only slight. Just remember (here I’m getting technical again) to shoot high resolution shots or else you won’t be able to print the photo, much less blow it up, after it’s been cropped and adjusted. 

One more. :-)
I'm going to an amusement park on vacation next week (Busch Gardens, VA). How do you shoot (manual, program, auto) when the lighting changes with every step you take chasing a four year old around to snap shots. I did pretty good last year but that was in Auto mode. I'm hoping to be brave this year and not do Auto, unless it's my best option!

Ahhh, vacation. Lucky lady! This is a great question, perfect for vacations, day trips and the like. 

Honestly? I’d land somewhere in the middle for a situation like this. Here’s what I could see myself doing…

  • Set up shop in Shutter Priority mode and set the shutter speed high enough to freeze the action. The camera will work hard to compensate with the appropriate settings to match. 
  • If there’s a quieter moment where a pose is more of a guarantee, you could switch over to Aperture Priority to add some variety for the scrapbook. Keep it a high f/stop for posing in front of a ride, a low f/stop for a quick headshot sipping slushies at the snack bar. 

You could go manual, but you’ll run the risk of missing more than the satisfaction could be worth. You could miss awesome shots because of fiddling with buttons and dials, or the LCD could trick your eye in the sun only for you to discover when you get home that they’re all off on their exposure. I’m not questioning your capability by that, either! It’s everyone in this situation. Sometimes, it’s a blessing to go on cruise control in an automatic zone much like a point and shoot. 

If you have time — and not to add to your pre-vacay to do list or anything — I would also suggest playing around with shutter priority before setting off, even if you’ve used it lots before. Vacations are those “must haves” on my photo list so I’m a bit neurotic about it all working out. Start playing with a shutter speed of 1/320 and see how they turn out, adjusting from there if needed and trying in sun and shade. 

Have a great trip!

Hi, I have a Nikon D5000 with a SB-400 flash unit. When I use a program mode (S) or (A) I find that the flash doesn't fire bright enough to provide enough light for the picture and ends up dark. What could I be doing wrong? (BTW this is in regards to pics I take on aubiewear.tumblr.com however most of those are on manual with natural light. When I have to use flash I don't like the pics.

Sweatin’… I’m going to try to help as a Canon user, but I’m on my own since my Nikon-wielding colleague is enjoying an extended long weekend. 

My first thought was that most flash shots tend to wash out the subject with harsh, glaring light and keep the rest of the room or environment dark, grainy and underexposed. When I use a flash, I have it bounced or am using a modifier 99.9% of the time.

With the SB-400, your option of bouncing is to go straight up at 90 degrees and use the ceiling as the perfect soft box, casting an even light and exposure. This is my favourite and most consistent direction to bounce a flash.

If you’ve tried this and I’m way off the mark on why your photos are coming out dark, maybe try clicking this thread here. The general consensus over yonder seems to be that switching off TTL mode and into manual will boost the flash’s power. I’m at a high hurdle, however, in how to advise the step by step on doing that without a Nikon in my hand to see the menus. I do know, however, it’ll be done in your menu and not on the flash itself. 

Hopefully this helps some!

More on BOKEH with a pinch of auto focus

Here are some notes connecting bokeh with auto focus and how the two can become trademark tools. I should add that I rarely manual focus anymore and only do when my subject is stationary. With a baby, nuh-uh. Hasn’t happened yet. But it’s a personal choice, and an option most lenses afford you with. 

Auto focus is when you half-press the shutter to reveal focus points. The camera will usually beep or the focus point may even blink telling you your focal point is locked. It’s then you press the shutter fully and the picture is snapped. With a large f/stop (small aperture), many focus points will show up as everything in the foreground and background will be sharp. With a small f/stop (large aperture), you may only get one or two. And even then, your camera will need to determine something of contrast before it locks a focal point. 

For example, the camera auto focused on Isla’s eyes, nose and lips. Once it locked, I clicked and got this shot featuring blur on both arms and down onto her romper. 

1/320 at f/2.8, ISO 800

See? A closer look…

Now, if you hold your finger in the half-press, you can lock the focus and reposition the camera, therefore recomposing the shot. This is key when using a small f/stop to get a large aperture for lots of yummy bokeh blur. 

That’s how I got this while we were just hanging on the couch:
1/320 at f/2.8, ISO 800
When I first half-pressed the shutter, the focus points rested on her toy. I then shifted the entire camera to point directly at Isla, half-pressed so her eye and ear were highlighted, kept my finger half-pressed on the locked focus and turned back to frame the shot this way. 
A closer look…

Even if bokeh is beyond old news to you and all “Camera 101” that has you rolling your eyes in the back row, take this week to play around with aperture either in manual or aperture priority. Once you know inside and out your sweet spots of blur, taking pictures on the fly without scratching your head over f/stops is in your future. Totally. A little birdie even told me so.

Aperture priority. In a word: HANDY.

Ahhh. Aperture. Friend. Occasional frenemy. It’s the backwards, confusing mechanism of technical photography that usually has people reverting back to auto. It works like your eyes in terms of letting light into the camera: when it’s dark, your pupils are wide open and when it’s bright and sunny, they’re snapped tight.

Some notes on aperture:

  • bigger f/stop (number) = the more your aperture is closed
  • smaller f/stop (number) = the more your aperture is open

Aperture has a very intimate relationship with depth of field (DOF) which gives those dreamy, blurry shots with lots of bokeh or makes sure everything is in focus. 

Some notes on depth of field:

  • what the heck is ‘bokeh’? it’s the (deliberate) blur in a photograph
  • keep everything sharp/in focus = small aperture / large f/number
  • make things blurry/bokeh = large aperture / small f/number

The easiest way to control exposure but take control of aperture is to put your DSLR into aperture priority mode (Av for Canon and A for Nikon). You set the aperture based on your lens and the camera will do the math on the rest. Good deal. 

For landscapes, group shots or times when you want everything in focus, etc. I tend to start at f/11 and adjust from there. Here, everything is in focus from the baby to the table to her highchair. 

1/250 at f/11, ISO 400

For up close shots or to get more creative, I drop to the lowest f/number available (f/1.8 on my 50mm, for example) and adjust from there. Here, you’ll see the foreground and background are blurred with only the elephant sharp. 

1/125 at f/1.8, ISO 800

For lil’ faces, I stick to a sweet spot around f/5.6 or close enough to give their face and full body focus but add some bokeh to the background. Here, you’ll see her main facial features are sharp but it starts to blur out as it hits the ears and bedspread. 

1/125 at f/5.6, ISO 100

Keep in mind that bokeh — however much or little of it — is a personal choice and artistically subjective. Have fun with it and experiment! Take a picture of a toy propped up on a table using a few different f/stops and compare the results for yourself!

Greetings from Expat in China! Thanks for sharing your tips on photography and how to use digital cams...i currently own a Canon 1000D (or Rebel XS) since 2008, but still not familiar with all the cam features (maybe i guess the manual is in mandarin and i am too lazy to download an english version)...so your tips on Manual, P, Av and Tv really helps a lot! Now Im planning and saving for my 60mm f2.8 (macro lens), i hope i can create wonderful photos using that lens. My current lens doesnt really help =(

Yay! I’m so glad, and thanks for all of your input as well! I enjoy reading your insight into things. 

That macro lens will be much fun, and speaks to what I was saying before how the body of a camera can only take you so far. 

And you raise a good point about downloading camera manuals. I agree it’s a chore and a bore, but if anyone ever needs to reference something quickly, I’m pretty sure all manufacturers have them available online. I know I looked up something for my 20D when I lost the paper version. 

Another Shutterfly deal. 40% off Photo Book of any size with code SWEET40. Ends May 26th
hi tamara! i currently take all my photos with my phone. eek. i've captured some precious moments with few pixels and worse lighting. i've been saving for a new camera & think i have decided upon the canon rebel t1i. what camera do you use? do you know anything about the t1i?

Honestly? I can’t say enough good about Canon’s Rebel T1i. You’d think I was an investor, or something. 

First, yay for the captured moments at all and in the first place. The number of times I’ve been gobsmacked by a development and *not* gone to grab the camera is shameful… Just make sure you’ve backed them up!

But onto the rest…

I use Canon’s 7D purely for business reasons, and even then colleagues are surprised — even a little put out — that I didn’t shell out for a Mark II, etc. Don’t get me wrong; I respect the distance camera bodies deliver, but my frugal nature smart shopping also has me thinking about good lens library as well. What can I say… I love accessories. I needed the higher megapixel count because I have clients ordering 40x40 gallery wrapped canvases and sharpness at that size is imperative. 

When photography was just a hobby, I invested foolishly into Canon’s 20D while my sis-in-law bought the Rebel. I was always envious that she garnered similar enough bang for fewer bucks, and it was much *much* lighter to physically carry around. Very important for mamas to consider. My point is this: more expensive equipment doth not a good photo make. 

In the end, you need to consider your uses. Even pitting the T2i against the T1i, I still feel strongly the T1i continues to deliver.

Yes, the T2i has 18 megapixels vs. T1i’s 15.

Yes the T2i has one f/stop higher of an ISO with 6,400 vs. T1i’s 3,200.

The odds of you ever feeling these differences for recreational use, however, are nil. 

Snapsort pegs the T2i as a winner, but if you look closely and click HERE for the results, you’ll see the values of technological difference are not large enough to warrant the price jump. 

My advice, long story short (sorry ‘bout that. I’m a talker.) is:

Scoop the T1i up on a deal with a kit zoom lens, put the difference eventually towards Canon’s EF 50mm f/1.8 II (I use this lens a lot) for around $130 (CAD) and the rest in your pocket. Hope this helps! 

Love this photo!
kristey:

Scenes from our weekend

Love this photo!

kristey:

Scenes from our weekend

Hi Tamara! No question, but I had to say thank you! I overcame my fear and put my camera in manual today, following your lessons. After a bit of trial and error, wow! Then, I put it back in auto for my husband to take a few photos- what a difference.

Yay! I’m dancing a (quiet ‘it’s nap time’) dance right now! *This* is exactly why I started this project, and I’m so glad you’ve tried it out. I really appreciate (and am totally relieved, to be honest) about everyone’s support and interest! What can I say… I’m a pleaser. 

Trial and error is key and, while I can help by example and tips, putting them into hands on practice is the most important hurdle. Congrats on M-mode and here’s to many more!

If you, or anyone else, is up for sharing their victories (or blunders) in the name of learning, email me at tamara (at) ehgoodlooking (dot) com. And watch for projects to get F to the U the N next week. The support I was shamefully/shamelessly gushing about earlier has left my mind buzzing with ideas for us all. 

Because, even though she's adorable, nobody needs 700 photos of Sally on a swing!

I'm Tamara, a lifestyle photographer specializing in children and families for Eh! Good Looking Lifestyle Photography. But I'm also a new mama and know full well how easy it is to take 30 photos of the same first bite of apple sauce, and how not every shot is frame-worthy. No matter how biased we are! Follow me as I bring some easy tricks and tips into play, making your everyday photos unforgettable memories.

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